Start to dream

WELCOME TO GRIMILDE MALATESTA’S WORLD

I work across costume, photography, painting, creatiove writing, historical research and visual storytelling. All these disciplines are usually treated as different, separate items, where hyper-specialization is the only focus.

My practice sits at the intersection of these fields: I can develop a character through costume, understand how it works within an environment, translate it into an image, and carry the same visual language through the different stages of a project.

This interdisciplinary approach is what makes my work distinctive. Rather than specialising in a single element of a production, I am interested in the connections between them, and in using that understanding to create cohesive visual worlds.

Here you can find my one-of-a-kind costumes, photographic work and other projects. If you are looking for someone who can move between disciplines and help bring a production’s visual language together, you are in the right place.

 

Purpose

MY BRAND’S GOAL

Grimilde Malatesta began as a nom de plume, a name I chose when this work was still something I was building alongside the career I was supposed to have.

More than ten years of study, experimentation and practice later, this has become my profession.

What started with costume, gradually expanded into photography, painting, historical research, writing, and everything else that helps me turn an idea into something tangible. I like to make the imaginary real, and not just from one point of view: I am the right person to build a whole environment around a concept, and create cohesion.

I have never been particularly interested in choosing between the different things I love doing. They tend to find their way into the same projects anyway.

 

 

What I do

MY SKILLS

My work began with one-of-a-kind costumes, designed to look as though they belong to a particular character, story or world. Since 2011, I have developed a practice that covers much more than garment construction, allowing me to control and connect many of the elements that shape the final image.

I design my own patterns and work extensively with historical costume and corsetry. I dye fabrics, develop custom textures and surface treatments, and use ageing and weathering techniques to give garments the lived-in quality that makes them convincing rather than merely decorative. I also create accessories and style both historical and fantasy wigs.

This same approach extends to photography. With several years of experience behind the camera, I understand how costume behaves in an image, from silhouette and construction to styling, lighting and composition. I can therefore approach a costume as part of the final visual result.

I also offer weathering and ageing services for costumes made by other designers, helping existing pieces achieve a more convincing and character-specific finish.

This makes me an ideal interdisciplinary figure, someone who has a deep understanding of these various artistic fields to bring them together and play in tune.

I don’t currently sell the patterns for my costumes, but I do share selected techniques and processes through my tutorials.

Costume gallery
Photography gallery