Robe en chemise
Making of the gown from Vestier’s painting “Portrait of a Lady with a book”, as a mix between a robe en chemise and a round gown, keeping it quite historically accurate, even if machine sewn.
Making of the gown from Vestier’s painting “Portrait of a Lady with a book”, as a mix between a robe en chemise and a round gown, keeping it quite historically accurate, even if machine sewn.
A basic gown, correct in shape, yet striking in color, making you pop out of the nightgown-like audience of regency events, on a budget.
What shall we do with a dozen of black soutache appliqués, stored for too long? A nice 1900s day outfit. And, of course, a giant matching hat.
A 1890s outfit inspired both by Burton’s work and Crimson Peak. I’ve been also told that the arnivore-plant-like shape and the fishing bates give it a Harry Potter universe look.
This is inspired by two movie costumes: the blue one of Caludia, in Interview with a Vampire, and the final costume of Christine, in love Never Dies musical.
Soft, frothy and with a hint of personal touch, for the smocking, this was the perfect, comfortable key to start attending XVIII century events for me.
Inspired by russian court gowns, but originally made to match Dracula’s suit when dancing with Mina in her red dress.
Project of a yellow robe à l’anglaise en fourreau in striped silk.
Theatrical costume for the Sun, to match the Der Holle Rache 10s gown.
A gown inspired by the shining of the stars from behind the golden baroque gate of a french castle. 1660s style.
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